This scene uses contrast. At the beginning of this scene, it shows a dark, quite, chill mood inside a car with very little noise and an overall calm atmosphere. But it cuts right to a completely different scene that is much more brighter, louder, and just more colorful in general. This contrast shows the complete shift in energy that goes on for the rest of the show, from a chilled, control mood, to now a wild and unexpectable type show. Now this scene uses parallelism. In this scene, it show two teams going up against each other in a game of tug-of-war, in which the losing team gets knocked off a high platform and fall to their deaths. This game had huge risks and the parallelism did a very good job in showing the difference in attitude between the two teams. The scene continuously switched from one team to another, in which one team were the alpha team, who were very confident and filled with rage, while the other team were noticeably more scared and worried for their life as they kn...
Simultaneity: In the first shot it shows Christlie opening the door from one side of the hallway, then walks in. The next shot shows me opening the door from the other side of the hallway, and then also walking in. The third and final shot shows me and her meeting up at the middle of the hallway and giving each other a handshake. Contrast: In this first shot, it shows me walking into class on time, this is shown by my calm walking posture and hands in my pocket. The next shows shows me being late to class, this is shown by showing me running and in a rush. Symbolism: In the first shot it shows me zooming into the trojan symbol of a jacket, then in the next shot it shows me zooming out of the face of an actual trojan statue. Parellelism: In the first shot it shows me walking up some stairs, and then in the second shot shows me walking down the same set of stairs. Leitmotiff: In the first shot it shows me walking to inside the bathroom, doing what I am supposed to be doing in s...
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